Wednesday, October 2, 2019

Cat's in the Cradle?



Here we go again, trying to complete artwork when Roxy decides to hunker down in the cradle I'm making for a sheet of acrylic and a hardboard panel.  Hey, who's the boss here?

Saturday, August 24, 2019

28th Regional Artists Exhibition for Western NY


In Anticipation of My Last Birthday; mixed-media on glass and panel, 26" x 32"

It is always good to be appreciated (okay, maybe it's better when the appreciation comes through selling artwork), and I'm glad that one of my two artworks gained entry into the 28th Regional Artists Exhibition for Western New York.  The exhibit will be on display from August 23 to September 27 at the Artists Group Gallery on North Street in Buffalo, NY.  The judge was UB Photography professor John Opera, who selected my mixed-media artwork In Anticipation of My Last Birthday.

In Anticipation is another experiment in mixed-media, using glass as one of the drawing surfaces.  This was the first time I used glass though not the first time I used a transparent surface, having used an acrylic sheet a few times previously.  Not only does it give another obvious physical dimension to the visual, but offers other opportunities as to how to compose on two 2-D levels.

Saturday, July 6, 2019

Two Shows at Beyond the Barrel 2019: Power and Emerging Artists



The Niagara Arts & Cultural Center is presenting their 15th Beyond the Barrel Art Exhibit and the theme of Power, drawing upon the Niagara heritage of the Falls, hydroelectric power, and the legacy of Nikola Tesla.  Although the broad theme they left open to artists.  I entered Atomic Split into exhibit, offering an artwork about nuclear power.  The show runs from July 13 to August 25.  

Simultaneously, the NACC offers another exhibit called Emerging Artists.  Attempting to draw upon the many kinds of experimental artists as well as new media in digital, video, and literary forms, this should be an intriguing if not also a fascinating display.  For this exhibit the judges chose my Reservation which is in line of a series of artwork I have created the past couple years using acrylic sheets or glass as a base for the imagery.

Both shows open Saturday, July 13, from 5 to 9 pm.

Wednesday, June 26, 2019

What is Art?






Jackson Pollock, Convergence (1952)



Norman Rockwell, Abstract & Concrete (1962)



People try to explain visual art and it comes down to the proverbial, “I may not be able to explain it, but I know it when I see it.”  And I think that’s true for any visual work whether one likes it or not.

Nonetheless, either way it may help to figure out what makes something "Art."

E.g., I remember in my fourth grade, the school art teacher Gary Vanderbrook chose my artwork to represent my elementary school class in a children’s show at the Albright-Knox Art Gallery.  After notification that they had the children’s exhibit on display, off we went to visit the A-K.  My mother drove myself, one of her friends, and one of my neighborhood friends to see the exhibit.  As we walked up the stairs to the second floor, there looming before us was a Jackson Pollock painting, Convergence.   It’s a large painting, to be sure, nearly 8’ high and more than 10’ wide.

My mother and her friend exclaimed disbelief that such a painting was on display, my friend said that his little sister could finger-paint something more interesting.

I didn’t know what to say.  While I wasn’t necessarily a quiet boy—in my early elementary school days the other students would tease me as “Chatty Kathy” (get it?  “Chatty” and “Chadwick”?)—I wasn’t given to impulsive expressions, even for a child.

I did think one thing: here was someone who thought about Art differently from me.
Besides that this was the first and likely the only time that I have had my artwork at the Albright-Knox, over the years the experience prodded me on to consider just what is Art.

One simple definition is: Art re-presents either another vision of reality or a vision of another reality.  

That’s not bad but visual art, in order to be Art, needs to do more, I think.  Otherwise, cereal box graphics are Art. 

In the case of the Pollock painting, even if one does not think it is Art, it does cause one to consider it as such.  There is a dialogue between the audience and the artwork.  It may be tragic or comic or something in-between.

I would say that the Pollock painting meets both of these points as a vision and as creating dialogue.

Lastly, the visual artwork needs to be visually attractive or at least interesting—otherwise, what’s the point of the “visual” aspect?  And this is the point where disagreement arises.  There are those who like it, they enjoy the spontaneity of expression, and there are many people who simply don’t like it and would say that it is not expressive of anything in particular.   

Regardless of what one thinks of Convergence, it has helped me put together some measure as to what is Art.  For a comparison-and-contrast, which helps one get at essential points, I posted Norman Rockwell’s Abstract & Concrete (also known as The Connoisseur) next to the Pollock.  I chose Rockwell because so many art critics dislike him as artist.  Also, bear in mind that Rockwell liked modern painting—on his studio wall hung a Picasso print--and did not think he was good at it himself but that he was better at storytelling.   https://www.crisismagazine.com/2015/rockwell-modernism-case-art-critic